About G. M. Trevelyan
George Macaulay Trevelyan (16 February 1876 – 21 July 1962) was an English historian and academic. He was a Fellow of Trinity College, Cambridge, from 1898 to 1903. He then spent more than twenty years as a full-time author. He returned to the University of Cambridge and was Regius Professor of History from 1927 to 1943. He served as Master of Trinity College from 1940 to 1951. In retirement, he was Chancellor of Durham University. Trevelyan was the third son of Sir George Otto Trevelyan, 2nd Baronet, and great-nephew of Thomas Babington Macaulay. He espoused Macaulay's staunch liberal Whig principles in accessible works of literate narrative unfettered by scholarly neutrality, his style becoming old-fashioned in the course of his long and productive career. The historian E. H. Carr considered Trevelyan to be one of the last historians of the Whig tradition. Many of his writings promoted the Whig Party, an important British political movement from the 17th to the mid-19th centuries, as well as its successor, the Liberal Party. Whigs and Liberals believed the common people had a more positive effect on history than did royalty and that democratic government would bring about steady social progress. Trevelyan's history is engaged and partisan. Of his Garibaldi trilogy, "reeking with bias", he remarked in his essay "Bias in History": "Without bias, I should never have written them at all. For I was moved to write them by a poetical sympathy with the passions of the Italian patriots of the period, which I retrospectively shared." Trevelyan: A Life in History (1992): During the first half of the twentieth century Trevelyan was the most famous, the most honored, the most influential and the most widely read historian of his generation. Trevelyan was the first president of the Youth Hostels Association and the YHA headquarters are called Trevelyan House in his honour. In 1898, he won a fellowship at Trinity with a dissertation that was published the following year as England in the Age of Wycliffe. It depicted Garibaldi as a Carlylean hero—poet, patriot, and man of action—whose inspired leadership created the Italian nation.
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