About Dziga Vertov
Denis Arkadyevich Vertov (born David Abelevich Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954), better known as Dziga Vertov, was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. He worked with Boris Kaufman and cinematographer Mikhail Kaufman on his most famous film Man with a Movie Camera. Vertov is known for many early writings, mainly while still in school, that focus on the individual versus the perceptive nature of the camera lens, which he was known to call his "second eye". Vertov is known for quotes on perception, and its ineffability, in relation to the nature of qualia (sensory experiences). His statement "We: Variant of a Manifesto" was published in the first issue of Kino-Fot, published by Aleksei Gan in 1922. Most of Vertov's early work was unpublished, and few manuscripts survived after the Second World War, though some material surfaced in later films and documentaries created by Vertov and his brothers, Boris Kaufman and Mikhail Kaufman.
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