About Mario Bava
Mario Bava (Italian: [ˈmaːrjo ˈbaːva]; 30 July 1914 – 27 April 1980) was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter. His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. Widely regarded as a pioneer of Italian genre cinema and one of the most influential and greatest filmmakers of all time, he is popularly referred to as the "Master of Italian Horror" and the "Master of the Macabre". After providing special effects work and other assistance on such productions as I Vampiri (1957), Hercules (1958) and Caltiki – The Immortal Monster (1959), Bava made his official feature directorial debut with the gothic horror film Black Sunday, released in 1960. He went on to direct such films as The Girl Who Knew Too Much, Black Sabbath, The Whip and the Body (all released in 1963), Blood and Black Lace (1964), Planet of the Vampires (1965), Kill, Baby, Kill (1966), Danger: Diabolik (1968), A Bay of Blood (1971), Baron Blood (1972), Lisa and the Devil (1974) and Rabid Dogs (1974). According to the British Film Institute, "Bava took a vital role in the creation of the modern horror film. If there was to be a Mount Rushmore-style monument dedicated to four directors whose work pioneered a new form of big screen chills and thrills, those giant faces etched in granite on the mountainside would be: Bava, Alfred Hitchcock, Georges Franju and Michael Powell." Mario Bava's first ambition was to become a painter. Mario Bava's son and frequent assistant director, Lamberto Bava, later became a noted fantasy and horror film director in his own right. Bava became a cinematographer himself in 1939, shooting two short films with Roberto Rossellini.
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